Chapter 3 Stripping the cocoon

The old man's stone carvings are eye-catching, under the clear light of the moonlight, as if it were real.

The stone carving held a horizontal flute in his hand. The wind blew and whined. The sound of the flute was very wonderful. Even if there was no rhythm, it sounded extremely pleasant. Obviously, the sound quality was excellent.

Wu Pengwei took a look at the stone carving and felt that there was nothing wrong, so he took off the flute.

The color of the flute is green, the tentacles are not light, not gold, not iron, and I don't know what material is used to make it.

Wu Pengwei has a rough rhythm, but it doesn't sound good.

He liked this flute, so he stuffed it into his arms and looked up. There was a hut not far from the lake.

He raised his leg and opened the door. The door was full of dust, but the room was very clean. In addition to a square table, there were some paintings. These works seemed to have been around for several years, but the paintings on them were very bright and the color did not fade.

Wu Pengwei was curious for a moment, looked at it one by one, and found a strange place.

Although these paintings are lifelike, there are scenes and paintings, many of them seem to be only half done, and if you turn down, you will find that these pictures are a series, piled together, just like the works of a painter.

Wu Pengwei has never seen such an inexplicable painting. One painting only draws a general outline, and the second one has no outline. Instead, he draws some things in the outline, and then the third one is to piece together the two paintings to form a complete picture scroll.

"Oh, is it possible that this person has a bad hobby and likes to do a picture in several times?"

Wu Pengwei was a little interested in the author of the painting. He looked around and found a note on the desk.

The words on the notes are vigorous and neat, and the size between each word is almost the same, which looks extremely pleasing to the eye.

Wu Pengwei was interested and casually looked through the notes.

It turns out that this note records a little bit of the painter's experience. His idea is different from that of secular painters, and he has a very different opinion from ordinary people.

First of all, he regards painting as the most rational and meticulous decomposition.

In his eyes, everything in the world can be decomposed. You don't need to start with the outline step by step, and then describe the scenery in the outline. He believes that this method of painting is a challenge to people's energy.

People's energy is always limited. When you take care of the overall situation, you will inevitably lose one thing and the other. In a picture, if you spend too much energy to draw the outline, you will naturally lose control over the details.

Therefore, if you want to complete a painting, it's better to make the most rational analysis, disassemble it, divide the painting into several small parts, complete one part after another, fully understand the truth of this part, and finally summarize it together to make a wonderful picture scroll.

This is the truth that he has hidden in the valley for many years, and behind the notes, there is a specific demonstration of this painting.

Divide a painting into several pieces, complete it one by one, and finally stitch it together. This kind of painting method is called the "drawing silk and peeling the cocoon" method.

Wu Pengwei was fascinated by it for a moment and couldn't help but draw with the painting on the notes.

For the journey of painting, although Wu Pengwei has no special talent, there are many books about painting in the Wu family's collection. Under the influence of his ears and eyes, he knows more or less. In addition, there is a mysterious and strange silver light fog in his mind, he can always get some data, which is easier to control more subtle. The strength of the pen when painting.

Calculating the angle and the strength of the pen is a skill in drawing silk and peeling cocoons.

Therefore, after painting for more than an hour, Wu Pengwei's painting became smoother and smoother.

Gradually, he immersed himself in it and reached a wonderful and quiet state.

After finishing the picture, his depressed mood was swept away, which made him feel extremely comfortable.

He found a chair and sat down. Looking at the moonlight all over the sky, his heart suddenly moved and thought, can he integrate the method of "drawing silk and peeling cocoon" into the analysis of the remnants of the sky?

He thought about it again and felt more and more that this method was feasible.

He replayed Tian Canjue's heart about the Samurai Duan in his mind, and then began to elaborate word by word until the last sentence.

This is a boring and tedious process, and every detail in it may hide fatal shortcomings. Just like playing a maze, you can't know where the real way out is without going to the end.

If it was before the heart method of drawing silk and peeling the cocoon, Wu Pengwei would certainly not be able to calm down before such a complex calculation. The huge calculation intensity was enough to make him feel that he could not cope with it, but with the method of "drawing silk and peeling cocoon", he had a clear vein in his heart, how to decompose the heart method and how to do it. Calculation and analysis one by one.

Disassemble, analyze, and summarize the heart. This is the essence of the method of drawing silk and peeling cocoon.

Finally, when the moon is full of the lake.

Wu Pengwei exhaled a long breath of turbidity.

He finally used the method of "drawing silk and peeling cocoon" to find out the two flaws of the warrior section.

After coming out of these two flaws, Wu Pengwei did not give up, but continued to analyze and find out a flaw in the heart of the martial arts. This time, it took less than half of the last time to find the flaws.

After all this, Wu Pengwei only felt that his whole body was full of blood, and he suddenly rushed over the second weight of the first level of the samurai.

At this time, the sky is already gray, and it is obvious that the night is about to fade.

Wu Pengwei barely suppressed the excitement in his heart and walked out of the hut. The wind roared outside the house, the light moonlight dissipated, the lake was covered with light waves, and the cyan stone carvings stood beside the lakeside, which looked a little cold.

This stone sculpture is obviously a statue of the painter himself. The painter mentioned it in the notes. Not only that, there is also a piece of music at the end of the note, which records a simple and magnificent song score.

The name of the song score is "Take the Wind". Wu Pengwei took out the flute, and the flute whined under the strong wind.

He bowed to the stone carving, and then quickly went out of the cave door. He covered the cave door with stones and covered it with some green leaves and dead branches. The mouth of the cave was already very secretive and had been hidden for so many years that no one found it.

There were no loopholes left and right, so Wu Pengwei hurried back to the mountain gate.