[Review on a rainy day] That gorgeous spring banquet fragment

I remember that a long time after the completion of reincarnation, he said that its theme was 'disillusion', but today's complete version of "Walking Away": the theme of this book is still 'disillusionment'.

The disappearance of the moon five years ago is just the same concept as death, but there is a trace of hope in my heart of nostalgia, so I waited for Xiao Fengchuan, who was like the moon god, to appear and carry it with me... However, the spiritual core of the moon still fell from the clouds, and the moon died five years ago. More than two hundred chapters remained, only It's his image fragment; Xia Gulin and Yan Lixi exchanged fate, but what Yan Lixi exchanged for him was just delaying the remaining time. The end of the road was there. As long as he walked, he would go sooner or later. The Qingyu case should have died in the Dead Mountain. The fate of death was as conclusive as the domineering Necromancer Mountain at that time. Help is more like a plug-in miracle, but the extended lifeline is still drawn to the end. What is left is a fragment of memories of the past. Nan Ge has been avoiding the day when he opens his eyes to see the world and destroys the world, but if he knew that day could never be avoided, would it be better to face the ending earlier? After decades of uneasiness...

Stepping, Qing and Yao are three extremely powerful souls. The moon stepping on the moon had died long before the debut, leaving a good name of stepping on the moon in vain. We have been looking forward to his return or Fengchuan becoming a moon stepping on the moon. It was not until the end that we knew that it was just a persistent thought of Wulingchun. The Qingyu case faced death again and again, and it was saved from danger again and again, with the protection of the west wind sword of the king, and Still can't escape the fangs of death. Originally, we thought it was a joking exit, but we didn't know it in this life. The ending of many people in this story is like a cold feeling about reality: for the ending that has been known for a long time, try to delay it; for what has passed away, to retain and pursue it, hoping to wave a little in the front, and finally avoid the ending.

What you hear is the footsteps from the past.

What

is seen is the illusion of the past.

What is sought is the flower on the other side.

Do you believe it?

Do you remember the first Yizheng Villa? Time always stays at the moment when the tragedy happens, a happy moment, a sad moment, from that moment on, the story of Yizheng Villa has ended. The glass-like remnants are just waiting for the people who come to watch this scene, and when they wait, they will turn into dust. And the belated protagonist can't save the story. Even if it's just a minute late, it can't save this broken ending. The beauty is short, but the broken is eternal... Even if it is brought back to Ying Taiping, the changed child has changed forever. The child who cried with the windmill has died together with Yizheng Villa. Go - this is just like when Wu Lingchun took back all the family property, but that complete family can never come back. What is tenaciously and stubbornly left in his hand is just the fragments of that year.

Don't pick up the broken thing. You'd rather let it break there than be tyed into blood on your hands.

The story of Yizheng Villa represents the mirror image of the whole "Walking on Qingyao". It has long been disillusioned. Do more or don't do it. The ending of disillusionment is waiting there. It is just the last image fragment of Zeng Jin.

It is completely hidden under a slightly happy tone, like a stream singing a happy song, flowing, and no matter whether it flows fast or slowly, the deep dragon is waiting in front of it.

Or sooner or later.

"It's time to meet, sooner or later, it's time to be desperate, sooner or later."

This story represents the loss of reality and the hope of dreams. Yao Ling and Feng Chuan represent hope. Even if the fish is stuck in the mud, the hope is slightly ahead; while others represent the loss of reality, or the memory of the good past. Even if they are clenched with their hands, it is like the beauty that keeps losing like sand.

"...the pain of the day is destined to be remembered..."

Those who owe their lives have been repaid; those who owe debts have run out of tears; those who are kind have escaped from death; those who are ruthless have clearly retribution.

The hand of fate urges me to move forward, love and hate are entangled, and it is indistinguishable.

One day in the sky, ten thousand years underground.

The sadness of this life.

May you remember and stay on the day of the outing forever...

After saying the judgment of the whole book. Let's talk about the comments on the chapter in detail. It turns out that I am really the most suitable for reading the full text, and the follow-up is really a test of people's memory... [Of course, the following only represents personal views. If there are similarities, it is pure plagiarism (*^__^*)...]

I like the first few chapters very much, although the first chapter is a little simple. But the protagonist and the protagonist's personality have been explained. Privately, I think that this head leaves a lot of room for readers to imagine, which helps to attract people to understand what kind of story it is. The novels I like recently are gradually expanding the world view little by little, in an orderly manner. At the beginning, the relationship map of the characters is a little tired, and it loses the fun of observing the world - A Dream of Red Mansions is an exception.

I especially like Wu Lingchun's appearance. I think it's much better than other princes, and the rest are not bad. The main reason is that I think this is more natural. I've been pursuing a natural way of appearance recently, the kind that shows no trace, and whoever should play.

The setting of Paper Flying Kium is really great. It can be seen that the martial arts of all the characters has been carefully designed this time, and each move has its own name and attributes. The setting of the west wind and the cluster of water is even more frightening. Although I prefer water-based things, the west wind is really not inferior to the cluster of water in my heart. When I read it, I was able to imagine gorgeous moves from the words, and the trick of 'picking stars' attracted my saliva...

At the beginning, Xia Gulin didn't see that the person heard the voice first. Well, the personality came out, but I always felt that the dialogue still needs to be refined and refined, like a sentence in the kitchen: You look at our girl and have a good sex, and you will openly and secretly press us! Isn't it! - I was immediately impressed. The name Xia Gulin always reminds me of Xia Xueyi⊙_⊙b. In fact, you also designed him as a very complicated character. When Jin Pangzi went to sea, he was the only one who commented on Xia Gulin as 'improper mental skills'. Personally, I think it should correspond to the chapter of Xia Gulin and the Qingyu case in Taoxue Valley, and prove that Jin Pangzi's view is relatively correct - that your original writing style focuses on women. It's erotic...

Xiaoliuyan Qingdu, hey, is a dragon set from beginning to end, and he still has the name of Mr. Bai Xuan in difficulty. First, the surname coincided with Yan Lixi to make people doubt the possibility of brothers. Later, he has been cooperating with the Baizhang crossbow as a human flesh background - if I hadn't looked at it for the second time, I really didn't have counted the name of the six princes seriously - it turned out that the last one was you. ⊙_⊙b has always been misunderstood by me as a follower. I was wrong...

Fireworks, I think of fireworks more easily than the name of jacket. I once gave a gift to a friend, and I chose fireworks and loved its beauty. But when I clicked the button, I suddenly understood that the relationship between people was like fireworks, and it ended in a short time - the moment when the two people got along and met, the seeds of parting were buried.

The poisons of the jacket are designed very well. You Aixia Gulin pulled out the white orchid from his neck. In this sentence, the person's character and the poison of the jacket have come out. The idea of one and two spirits is also good, but it is probably the first time to write this type, so it's like Xinhong peeled a layer of skin from Kunqu Opera. The road is good, but it's a little shallow. In the last decisive battle of the jacket, the layout of the organ man is very good, and this road is also very good, but it is still necessary to work hard to achieve the combination of the plot and the mechanism of "The Realm of the Sky" - the jacket has been missing for a long time, and the "Fireworks are not the leaker, who is it?" - The answer is the one-in-one double spirit Luoou⊙ _⊙b, can it't be true? I remembered the "Code of Famous Detectives". I'll show you the appearance of the fallen jacket that has been missing for a long time. If it's just because I'm waiting for a good opportunity ⊙_⊙b, it's better to be more detailed. It seems that it refers to Nan Ge's leak to the story of the past - this, what happened in those years was just a person's mental disorder. How does Nan Ge know? Of course, the confusion of the jacket can be understood as the way Nange looks at people is different from that of ordinary people. He can see people's hearts, and then is also deceived by the confusion of the jacket. However, when he talked to Yan Lixi at that time, Yan Lixi's reaction was not very obvious - he was the one who knew the truth of that year. Without him, he would not know the jacket. The confusion - Er is too complicated. This method of deceiving the reader's vision, I think that Jingji Xiayan's "Summer of the Bird" is better. You can't imagine what a speechless bug the first person "I" in a detective novel can make... Without this bug, this book is actually At the beginning, it's over at the scene of the murder...

As I said before, "Walking on Qingyao" is a sad novel. Everyone has a past, and everyone has a wound. It seems that I like the lyrical way of comparison sentences. I used to like it very much, because it is easy to write and can constitute a mountain of emotions. The chapter of "Heaven and Earth" is completely a comparison sentence. However, in the future, you can try other kinds of short sentences, such as "very good and bad things, can also be unmoved, very bad and bad things, but you can live and die". When I first saw this sentence, I was very sad and sad that I saw the sand in my eyes...

What's wrong with the foot of Yao Yue and Heng Yun?

Then he arrived at the trial tower, and Hua Shen appeared. I missed a chapter. The person Hua Shenshen first saw was indeed Xia Gulin. Everyone's future speculation was not as profound as that chapter. But the dark situation of the flower girl still wants to praise it.

As soon as Brother Li left, there was still a shadow behind him... The wind is rustling and the water is cold. It's really the right name.

More than 100 chapters, I feel very sorry for Wulingchun. I like this name, and I also know that the name is not very good: Wuling people look for dreams. In fact, I have a little understanding of his persistence with stepping on the moon. Even Wumei has been deprived, and what is left in his hand is unique. The remnants of the memory of stepping on the moon in those years... How cruel and sober Xiao Fengchuan's spiritual core from stepping on the moon is, sober - Wulingchun is not glazed after all. This 'stop' card, even if the soul is scattered, it is also I clearly realize that stepping on the moon can't come back... I still feel sorry for this child. Since the mother doesn't hurt, there is a psychological shadow... [Fall the keyboard, it's purely sentimental for you to send the moon to send acacia on the extra moon. It's purely sentimental%>_