Chapter 706 New Array Space

In addition to the "On the River Map during the Qingming Festival" and the "Spring Twilight Stream Map", Shiba stuffed the previously collected and accumulated pictures into the array as usual. The scenes depicted in these pictures are also visible in the space of the array.

The way it appears is all kinds of interesting.

For example, there is a hunting picture. The painter's main energy is focused on the people depicting the hunting, and the lightly furious knights in the painting, so they are also particularly heroic and vivid.

When this painting is added to the array, the landscape forest it depicts is "melted" without personality, and is buried in the various landscapes or edges of the various landscapes depicted by various paintings. Like glue, it "glues" other distinct landscapes together, and there is no trace of its own existence.

And the vivid people it depicts are clearly dressed, galloping and hunting in the mountains and rivers in the array space. The strength shown is quite extraordinary.

And the other one, which also depicts the hunting scene, comes from the work of another painter. Its main energy is put on the landscape, and the hunter can only be called a pass.

Once integrated, its distinct landscape will occupy its own place in the space of the array, and its uncharacteristic characters will flock into Kaifeng City with the rolling flow of people in the river map during the Qingming Festival. From then on, they will no longer know where they have gone...

These characters or mountains and rivers are all collected and accumulated from Shiba from the Bagua platform of the ancient city of Yuli. They gather together based on various paintings. When they gather, they form, and when they are scattered, they become gas. Their shape is essentially similar to the small copy on the steps when Shiba hits the Bagua altar in Yili.

It's just that in the paintings collected by Shiba, most of them depict landscapes, flowers and birds. Good landscapes can expand the array space, such as birds, butterflies and kittens. They can also work part-time as Shiba's eyes and ears and be responsible for some reconnaissance work. Flowers and trees are basically beautiful.

There are not many paintings with "combat effectiveness". For example, there are enough human figures in Qingming, but most of them are ordinary people, so the attack is not high. It does not cost much pen and ink, so the durability is not high. When he paints, the average of each character, the energy he shows is naturally limited, so its recovery (or aggregation) The speed is not fast enough.

The painting with the highest combat effectiveness comes from Li Gonglin's "Mahu Painting". Li Gonglin's painting is known as "the first painting in Song Dynasty". In the first half of his life, he was "painting a horse and a dead horse" (it is said that the Western Regions paid tribute to a BMW. He specially ran to watch it. After the BMW was painted, the real horse died violently. People say that the horse was photographed by him), and for the rest of his life, he "draws tigers and tigers" (it is said that he never draws a tiger and never draws a tail, so as not to survive and hurt people).

The horse he drew can't get out of the space of the eight arrays, but in the space of the array, it is galloping with the Yangtze River, as fast as thunder and lightning, trekking through mountains and rivers, like walking on the flat ground, and its maneuverability is higher than that of the flying dragon, because the impact brought by high speed is comparable to that of Triceratops in full bloom. What's more, because it is purely made of gas, there is no problem of endurance and fatigue, so the endurance is not comparable. Therefore, it became the standard military horse of Shi Wenchang's deputy general team. The remaining few places are reserved for the teammates who enter the space.

The tiger painted by Li Gonglin is a big head of combat effectiveness. Regardless of form (corresponding to lethality), pen and ink (corresponding to durability), Shen Yun (corresponding to "recovery") are the best.

The only drawback is their tails. Li Gonglin's original paintings are all bald-tailed tigers. After forming, although a tail is automatically completed, it is not flexible at all. Its flexibility, lethality, durability and resilience are far from the original tiger. If you touch it casually, it will fall off. It will take a long time to gather a tail again, which is completely different from the flexible tiger body that gathers in front of you. It can only be used to coordinate body balance and cannot directly participate in actual combat.

Li Gonglin was from the late Northern Song Dynasty (1049-1106). He was in the same era as Su Shi and Wang Anshi. He was not far from happy in the early years of the Southern Song Dynasty, so Shi Ba was lucky enough to collect a large number of his "sloppy pictures", which added a lot of fresh vitality and combat effectiveness to the space of the eight array maps.

Wu Daozi, another famous "painting saint", is a pity. He was from the Tang Dynasty. He was too far away from the Southern Song Dynasty of Shi Wenchang and made paintings on scrolls (the reason why this is emphasized is that many of Wu Huasheng's classic masterpieces are murals). By the time Wenchang's intention to collect them, they were all lost. Only one picture of Moben's "Picture of the King" was found.

Even if it is just a Moben, the "King of Heaven" gathered according to the painting still shows strong combat effectiveness.

Among other things, just a talent ability to "control the wind" ("Wu Belt Dangfeng") makes all ordinary characters in the painting clumsy and out of reach.

On that day, the king was simply a serious character in the ghost world. He called for wind and rain, had high mana, and manipulated the spirit of heaven and earth in the painting, which was almost instinctive. He has vaguely become the real "King of Heaven" of the world in the painting.

A piece of forety has such power. It's hard to imagine what it would be like if he got the real product of Wu's painting.

However, all these supernatural things are not as good as Zhaojun's three tears of homesickness.

The three drops of homesickness and tears are integrated with the Kandi water vapor in the whole array. The direct effect is that fish can be raised in these water.

This is the result of the vitality in the water, so in addition to raising fish, you can also raise some aquatic plants. The world in the gossip space is more real. It is no longer just a virtual world simulated by heaven and earth.

With this advantage, in the eight array map space of Shiba, fish are naturally raised, and the dead souls and others who escape into the gossip along the Tianshan Dunmen also rely on the mountains and rivers, and go boating and fishing on the river when they have nothing to do.

Shi Wenchang and Tang Xiao and others fought in the underworld at the foot of Jiu'i Mountain, breaking the space and breaking into the bloody poisonous swamp.

After entering the bloody poisonous swamp, Shi Ba opened the Tianshan escape gate for the first time, and Tang Xiao and others went into the gossip for the first time.

Then eight scattered eight empty marble balls, and the empty rosefinch he sat down was the nine stone gods.

Not long after entering the space of the bloody poisonous swamp, Shi Ba fell into a state of poisoning. However, there are many wet nurses in the nine stone gods. After Mang Xuanming, the earth and Qinglong Xuanwu are all. Zhu Rong and the rosefinch are also good at detoxification.

So many people protect him, and there is no pressure, so Shi Wenchang has been in a state of full blood.

Shiba himself doesn't even need to move.

......

The network failure is only good until now. ( The two chapters were sent together last night, which was also a network failure. I sent it with my mobile phone. This can save a little traffic.)