long candle

Chapter 261 Gallery

I thought he was going to ask how much the screen could be worth, but I didn't expect that his words were rarely reasoning. He said, "I think the owner of this building should be a woman. It may be the wife of the Lei Yun Monk.

I looked at him with no doubt, and then looked at the lacquer columns and carved beams around him. Sure enough, most of them were mainly birds and flowers, which were indeed like a place where a woman lived.

We didn't say much. We bypassed the screen and continued to walk in. Through the light of the flashlight, we saw a wooden step connecting the tatami floor half a person in front of us.

On the floor, there is also a paper sliding door unique to Japan.

The door is closed and spotless, just like the owner here has been using it, so it is not covered with dust.

Looking at the floor and stairs, there is no dust, and it is very clean.

There are indeed people living here, and there are people cleaning all the time. Obviously, they are very clean.

So who lives here? How did he survive in this barren mountains?

With these questions, we opened the sliding door and came to a spacious hall.

The first thing you can see is a pair of floor, white mattresses, white quilts, and white pillows, which are very neatly folded. Next to the bed, there is also a large vase that is half a person high. The vase is decorated with early plum blossoms that have just begun to bloom in this season, emit a faint fragrance.

On the walls on both sides of the hall, there is an ink painting, a cluster of blooming roses on the left, and a pair of azaleas playing on the right wall.

Although the decoration in this room is very simple, it also gives people a refreshing and quiet feeling.

We went to the bed and found a pair of c logs beside the bed. We picked up the c logs and took a look. There was some dirt underneath. It seems that someone has passed through it recently.

Other than these, the hall was empty, so we had to continue to walk in.

Japanese attic architecture is like this. There are many rooms on the first floor, and none of them are separated by sliding doors, so we walked through this room and found a sliding door on the other side that continued to move in.

After opening the door, we found that this was a corridor.

On the opposite side of the corridor, there is also a same living room, and on the left and right sides of our room, there are also two smaller rooms.

After calculating the area, I found that this floor is composed of six symmetrical rooms, with a corridor in the middle of the six rooms, and the stairs leading to the upper floor must be on both sides of the corridor.

We looked at the six houses on the first floor and found that except for the first one we entered, everything else was almost empty. There was only one room with some debris piled up, mostly torn paper and some rotten tables and chairs.

It seems that this attic has undergone a relocation and moved a lot of paintings, furniture and other things.

After looking at the six rooms and not finding anything unusual, we came to the end of the corridor and found the stairs to the second floor.

Follow the stairs and carefully climb to the second floor. Nobita, who was walking in front of him, suddenly retreated with a wow.

We hurriedly asked him what was wrong, and he said in surprise, "It's the strange woman with eight eyes!"

As soon as I heard it, I was in a cold sweat, and I thought to myself that the thing was not dead yet. Did you come here to ambush us?

But we stood on the stairs and waited for a long time, but there was no response.

It is reasonable that that thing will fly up immediately when it sees Nobita.

After a while, I said slowly, "You wait for me here. I'll go and have a look first."

Both of them nodded and looked forward to me.

I swallowed my saliva fiercely, held the dagger tightly in my hand, hit the flashlight, and suddenly rushed to the second floor.

At this time, my flashlight suddenly shone on a pale face, full of fat, eight eyes, and her tattered suit that I was familiar with, as well as strange outer eight characters, and black hair.

The only difference is that this thing looks dead and doesn't seem to be so three-dimensional.

After carefully shining with a flashlight, I found that it was just a picture, because there was also a line of small words written on the bottom left of this strange woman: Fuck the ghost lady got a bird.

"So this monster is called Gu Huo Bird?" I said to myself, "And she still seems to be an official."

While thinking about it, I looked aside and saw a portrait of a beautiful woman holding a skull in her hand.

The woman in this portrait is extremely beautiful, but her eye bags are very heavy, and the blue veins in her skin appear, which looks very enchanting.

And the words below her are: "Flying the god of male conquest."

Maybe I don't know the bird, but I know very well, because this kind of monster is more famous.

It is said that this monster has a very beautiful appearance, often wanders on the streets in the middle of the night, and then seduces a man to sleep with her. Once the man is held in her arms, she will use her tongue to absorb the essence of the human body and turn him into a mute.

There was a period of continuous incidents of men's mummified corpses on the streets of the Edo period in Japan, which was said to be caused by flying demons.

In fact, there are also monsters such as flying demons in China. For example, Nie Xiaoqian is actually one of them, but Chinese ghosts will have feelings.

When I looked aside again, I saw more pictures of monsters. Each monster has a title, either an official or a general. In short, he has been sealed as an official.

At this time, I finally saw that the second floor of the attic turned out to be a gallery containing many monster materials.

This gallery is in a zigzag shape, and there should be another room inside the wall in front of me.

I saw that there was no danger around, so I asked Daxiong and Nie Chuan to come up.

As soon as Nobita came up and saw the bird, he was almost scared to retreat. I hurriedly told them that it was just a painting.

Nobita looked at it for a long time before he was willing to believe my words and said, "Who painted this picture? It's so realistic. Shit, it's so vivid."

In fact, I also have this question in my heart. Who painted these paintings and gave the monsters an official title? Is this person idle?

With doubts, we looked at the paintings one by one, and then looked for the entrance of the room in the middle.

However, although we know the structure of the second floor, the entrance we are looking for is obviously not so easy to find.

After walking around and seeing all 200 kinds of monsters, we still couldn't find the entrance, and there was no staircase leading to the third floor.

At this time, we all understand that there must be a hidden door in this gallery, which not only connects the room, but also the stairs to the third floor.

However, this corridor with more than 200 paintings is impossible for us to know where the secret door is for a while.

The only way is to knock on each painting to see if there is a partition or something like that.

In fact, this is quite troublesome, but in order to know who is on the third floor, we still start looking for the secret door separately.

After looking for about ten minutes, Nie Chuan said to me not far away, "*,*, come and see, this painting seems to be a little different.

I hurried over to have a look and saw that Nie Chuan pointed to the inscription on the painting.

In this painting, it depicts the famous nine-tailed demon fox in the Japanese monster world.

The style of the picture follows the consistent realism, showing the hair and eyes in the lake vividly.

The only difference is that there is a small square seal under the inscription of this painting.

This red seal is very small and can't be noticed if you don't look carefully.

I squatted down and looked at the seal carefully. I found that there were several Japanese pieces written in it, and I didn't know any word at all.

But when my hand pressed on the square seal, the piece suddenly sank.

Then the whole picture shrank up, revealing a black door.

Nie Chuan and I were both happy and hurriedly called Daxiong to come over.

When Nobita saw this door, it was also a surprise.

Then, the three of us went in one by one.

When we came to this dark room, we found that there were many scrolls piled up in the room, and in the middle of the house, there was a table with brushes, inkstones and other painting tools on the table, and the inkstone was still wet.