Chapter 15 Dream back to the lotus plate and the future

Although I don't know how many meters underground it has penetrated, the surrounding air has been freshly circulating. There must be many small ventilated dark holes or underground undercurrents in this place.

As soon as the soles of my feet were firm, I felt that my eyes were much brighter. All the candles placed in the corner of the wall had been lit by themselves. Although the light emitted was weak enough for us to see the scenery in front of us.

The sound of ticking water seems to have been there since the beginning.

Huaxiangyi walked out of the frolic of Yue Qinchuan and Yunge, slowly stepped forward, and then stopped.

I also followed. There were some strange patterns on the wall, which extended from here to inside, as if telling a story.

"To be precise, it is not a story, but many stories, but it is just a story, because it is telling the story of the same person." Yunge came to me playfully, and then tilted his head and asked me secretly, "Big brother, you have also been to this place. Why did you forget?"

Have I ever been here?

"Are you afraid of being recognized by others, so you deliberately pretend to have amnesia, right? Hee hee...hee hee... what a cunning big brother! Tell Yunge secretly, Yunge won't tell others!" Yunge is like a child doing bad things, knocking around me.

I really haven't been to this place.

"What are these paintings talking about? Why are those things in the painting so strange? What is the representative of this round one and this square? There is also a crescent mark. What is this? Yue Qinchuan tilted his head, looked sideways at the things in the painting, and thought very hard.

"Those are all good people! Those white circles like eggs represent the ancestors of our Tuoyue tribe. The square graphics represent the Qingyue tribe, a powerful tribe at that time, and the round circles represent our goddess Yuecuo. Yunge proudly told that she could know which of these paintings were where they were without looking at them.

According to Yun Ge's explanation, I looked at some vague marks on the painting. The opening picture seems to be a picture of a war, because there is smoke, egg-like patterns mixed with square patterns, and only the circular mark in the center is in the middle of the sky. If I guess correctly, this picture should be a picture of the goddess Yuecuo's manifestation to help the Tuoyue clan.

"What is this?" Yue Qinchuan pointed to a crescent mark in the first painting and was placed in those chaotic graphics.

"This is the mark of our past dynasties. There is one on Sister Yinhua's forehead.

"Who is Yinhua?"

"At the sacrificial ceremony that day, the woman wearing a beige painting was Sister Yinhua. Big brother, why did you forget again!"

What is it? Before I opened my mouth, Yue Qinchuan had already come over, "What isbi mo?"

"Bimo is the priest of our Tuoyue clan, which foreshadows the future and protects Tuoyue."

No wonder this Yinhua enjoys such a high honor that the old patriarch worships the sky, and she doesn't have to kneel down.

I will go to see the next one. The second one is production, the third one is practicing martial arts, and the fourth one is planting bamboo... It seems that the goddess of this month has really done a lot of things that are very beneficial to Siwei. Finally, the goddess Yuecuo stayed in Siwei for a long time and took root with all the people of Siwei. However, one day, four men suddenly came, and they came together. Judging from the picture, the skills of painting have improved, but this last picture describes four men standing in front of the goddess Yuecuo, each holding out a hand and looking up at the goddess. The goddess had a sad face, sitting on the sleeping snow lotus, and Wen Si did not move.

The painting has stopped abruptly. I am eager to see the next one, but the previous one is not a painting, but a sculpture.

How is that possible? I was shocked.

How could this happen? Yue Qinchuan looked back and forth between the faces of the two women puzzledly.

Why? Hua wants to stand undressedly.

That's it! Only Yun Ge still smiled, but was surprised by our surprise at this time.

"This is the true face of our goddess Yuecuo!"

The sculpture in front of you, the whole body is blue, gentle color, with a transparent light. The long clothes floated and swept the snow water lilies closest to her. The flowers of those snow water lilies are all placed around her, with the same holy light as her.

Looking at her face, the bridge of her nose (which is also a forbidden word, sweating), sitting peacefully, looking at the disturbances in the world. Everything lives because of her. And the most holy snow water lily blooming on her right cheek, which seems to be alive on her face.

How is that possible? Every line on Huaxiang's right face is the same as that on this statue. Why?

"Yun Ge, how long has this statue been?"

"Big brother, you hurt my arm." Maybe it's because our hearts are too shocked that we have such an abnormal. This statue has existed since I was born. Big brother, you grabbed my arm and hurt me like this last time! I heard from my father that this was built according to her face when the goddess Yuecuo first came thousands of years ago. It can't be wrong!"

Thousands of years ago, people actually had a very fancy and identical face, but this person was still a goddess worshipped by the whole Siwei tribe for thousands of years.

He stepped forward slowly, approached the cheek exactly like himself, and quietly stroked the bright marks with his hand. The snowy water lilies really seem to be blooming. Whether it's on the statue or on your face. She really has to thank Guichen's skills to make such a magical flower appear on her face. She smiled bitterly.

Her slender fingers touched Yubai's right cheek, and the flower poured out a brighter light. It seemed that the silence of these years was just to bloom in front of her at this moment.

The road that had been closed suddenly had an extra door. And with the touch of the clothes, the door also opened.

"Ah! I didn't know that there was another passage in this place!"

We followed the jumping cloud song and entered. In front of us was a crescent-shaped entrance. When entering, we must be slanted and carefully bent over to enter. There is a line of things like paintings and words on the door, which are very old marks, because the hole is wet and not full of moss.

"This should be the oldest text of our Tuoyue tribe, which was handed down by the ancestors."

"What exactly is written on it?" Yue Qinchuan came over, making the already narrow place more crowded.

"Go back to the original present and see the future. There is still a small line on it, waiting for your return. Yunge's translator turned his head and asked me, "What does this mean?"

How can we know something that she doesn't even know?" "When you come back," it should be said that there is nothing wrong with Huaxiangyi. Go back to the original present and see the future. What was this original now? What is the future of this past?

We walked in once, just like the previous one. As soon as we walked in, the candlelight inside would turn on together. The walls inside are also full of paintings, which seem to be connected with the scene above.

This picture is the same as the previous one, but the goddess Yuecuo sitting on the snow water lily disappeared, leaving only an empty lotus seat. The four men looked different, and each of them still stretched out their hands, but they didn't mean to put them down.

Where did the goddess Yuecuo go? Why is there a sudden news, who are these four men? What did they come to pray to the goddess for?

I'm in a hurry to see the next pattern.

This is a picture of a long journey. The four men set out in different directions with different moods, took horses and some boxes and left. However, the image of the goddess Yuecuo never appeared again.

"What do you see these one by one?" Huaxiangyi's finger pressed on the pattern. I also noticed that although the meaning of this painting is simple and clear, there are still very strange places. In some blank places, there are many unclear points. From the above paintings, the painter should like to express the story with the simplest things, but I don't know why there are so many strange dots on it. It has no beauty and makes the picture look a little blurred.

"Is it that the painters regard us as fools, so they deliberately get something to fool us!" Yue Qinchuan engraved the big word "Moon" on the ground with the tip of his sword. Does he want to keep a souvenir here?

Engraving?

No, I thought of it!

"Wang Yi, Yun Ge, get out of the way!"

I pushed it to the farthest place from the portrait and looked carefully. Sure enough, it was like this. The goddess Yuecuo does appear in every painting, and this one is the same. However, the way she appears is a little special.

Those small drawings of unnecessary points seem to be messy, but in fact, they outline the goddess Yuecuo. And her appearance is represented by dashed lines. The intermittent lines represent virtual and non-existent, but the image of the goddess Yuecuo is full of the whole picture. What exactly does the owner of the painting want to tell us?

I immediately went to look at the next picture, blank, blank or blank, along the long narrow rock wall to the depths. At a glance, it was completely blank. Could it be that this painter played a big joke with us?

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I haven't written such a smooth chapter for a long time. I don't know what it will feel like when I read it.

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