Chapter 741 Refinery Refinercator
Huang Fei and the two began to talk, so they abandoned the chess game and turned to explore the art of stone refining, gourd refining, fan refining, and even the art of refining in a broad sense and the art of refining.
The difference between refinery and refinery, the connotation is very different. At least in the impression of Shiba, it should be like this. At least like the stone refining and gourd refining skills he has learned, it seems to be very different from the conventional alchemy.
In his impression, the refiner is probably like this: a refiner first goes to all over the world to collect all kinds of rare materials, then carry out various cultivation and gago, and then put all kinds of raw materials, such as ice iron, scorching stone, dragon wood, etc., in a certain proportion, and then use the art of imperial objects, or borrow tools. (For example, the refiner furnace and so on) to put the materials, make the real fire of samadhi, or thunder and earth fire, melt the materials, mix them, and so on, and finally melt the materials into a ball, and then match all kinds of materials, mix them, shape them according to your mind, or fix the appliance according to the design drawings. A general shape, and then do some later processing and so on. In a word, all kinds of complex, all kinds of tricks ** ingenuity.
And the refinery, in his experience, is very simple, like the stone refining and gourd he has learned, which is basically the first step of the refinery, the initial processing of materials. It's a stone or gourd, and then refine it.
After a wonderful process, the finished stone pills or gourds come out.
The only difference is that although the steps of refining are simple, they involve some wonderful and unspeakable processes. For example, when refining the gourd, the space inside the gourd can be preserved.
For example, in stone alchemy, Huang Chengyan can refine the stone statue into small pills without the cooperation of stone art, and when thrown out, it can be turned into a strong combat power. In this process, there is also a wonderful effect of turning decay into magic, so that the inanimate stone statue can actually move and fight like a creature after being refined.
However, according to Huang Chengyan, the mystery of this is not all from stone alchemy. The stone alchemy that lacks stone is still very imperfect. It is just that the ancestors of the original loss of stone are amazing and beautiful. They even opened up another way and adopted another method that is complex but can still be used. That is the stone carving technique used by Huang Chengyan at that time. When carving the stone statue, he concentrated his will and concentrated his spirit into it. It is not only the stone statue that can be carved vivid. After the stone carving himself refines the stone, he can immediately manipulate it as he wishes and is easy to do. Thus, they barely filled the vacancy of stone art and barely continued their lineage to this day.
In Huang Chengyan's casual chat, it was also revealed that the stone carving technique picked by the ancestor also had a far-reaching origin. He also learned the stone carving technique from another real stone carving master who was also a teacher and friend at that time.
Half-hanging stone carving.
If it is a full version of stone carving, as long as the stone statue is successfully carved, it can be turned into a living thing immediately.
Similarly, there are noodles kneading people, mud kneading people, painting portraits and so on, all of which can turn decay into magic and make fakes come true.
These wonders and stone arts are at the same level: they belong to the same category of the art of creation.
When Huang Chengyan talked about painting, Shi Ba immediately thought of Wu Daozi's appearance of the king of heaven in his eight arrays. At the same time, I thought of several legends about his paintings (with others). For example, painting the finishing touch. For example, Wu Daozi once drew a horse for a monk. At the end of the painting, there was still a ponytail left. When something went wrong, he forgot to draw the painting. Later, nearby villagers came to the temple to make trouble, saying that there was a naughty bald-tailed horse in the temple. They often ran down the mountain to steal the crops in the villagers' field. Uncles and aunts said that they couldn't stand it and chased the bad horse here. The monk said that he had never raised a horse in the temple. Finally, he suddenly thought that Wu Daozi drew a while ago. The horse forgot to draw its tail.
When I went to see the painting again, I saw that the horse in the painting was still there, but in its big mouth, there was still a mouthful of green barley seedlings!
This kind of legend is vivid. After reading it, Shiba found it interesting and yearned for Wu Huasheng's paintings. Unfortunately, the time and space of the Southern Song Dynasty was separated from Wu Daozi by five generations and ten countries, and the time and space of the Eastern Han Dynasty was separated from Wu Daozi from the north and south of the Wei and Jin Dynasties. There is no chance to see the true face of Wu Huasheng, and there is no chance to see the authentic works of Wu Huasheng. Not to mention whether it is true to verify the magic power of Wu Huasheng's paintings.
When he came to his senses, both Huang Fei and both of them stopped talking and looked at him with great interest.
"What interesting question were you thinking about when you were so distracted just now?" Huang Chengyan asked with a smile.
I felt dumbfounded in eight o'clock. For Huang Fei and Huang Fei, Wu Daozi still belongs to the ranks of future people for the time being. There are still hundreds of years left in the middle. He told them that Wu Daozi naturally played the piano to the cow.
So I took out some previous ideas about alchemy and alchemy.
When he said that "refining is like the initial processing stage of materials in refining", both Huang Fei and Huang Fei laughed dumbly.
Shi Ba thought he was laughing generously, so he quickly stopped talking.
Unexpectedly, Huang Chengyan said, "Your statement really hit the facts from a certain angle.
I think it's just right to talk about it today. It's better to tell you about the origin of refinery and refinery.
Shi Ba quickly sent two big gourd monkey wine to Huang Fei to moisten their throats and cheer them up. He also picked up a gourd wine and drank it casually.
"When it comes to the origin of the two, you must know what the flood and famine era is like.
When Hongmeng was opened, the aura was not only full of purity, but also the treasures of heaven and earth. At that time, as long as the monks chose the best ones and refined them a little, they could produce the best magic weapons.
Legend has it that in the world of famine, there are big trees and gourds as big as Shushan..."
When he said this sentence, Huang Chengyan looked at Fei Changfang with a smile. Shi Ba knew the elegance and smiled silently.
"All kinds of treasures have become one. After picking them down, they only need to be processed and can be used.
At this time, there is only the current concept of refining, and there is no current concept of refining. Because it really doesn't need to be as troublesome as the refiner.
Later, the large-scale treasures were used up, and the rest were some corner waste that was originally not eye-catching and could not be used.
Then you need to mix and combine. After mixing, it is not enough after the combination. It also needs to be refined and refined... It is getting more and more complicated and more troublesome.
For example, a cutting board. When there is a big tree, as long as the middle of the big tree is cut off, it is a good cutting board.
When you can't find a suitable tree for a while, you need to combine small trees or bamboo slices together through various processes before you can make a usable cutting board.
But if you think that alchemy has evolved more advanced than alchemy, it would be ridiculous!"
nodded eight times to show understanding. At least like the stone refining and gourd refining he has learned, he doesn't know that there are other alchemy techniques that can be comparable or replaced.
"Although the refinery and the refiner are generally the same, the development direction of the two is not the same. It's like one going east and the other going north. But you have to set a man-made end in the east, and according to this, you believe that the one going east is more advanced and advanced than the one going north. This is very ridiculous.
The mystery of refining is endless. It is impossible for us to explore to the end in our poor life. Even if there is a person who has a great knowledge of the beauty of refining, the refinery is not just about integrating all kinds of refining. The refinery is also divided into a king, minister and envoy, which is suitable for birth and restraint, and pays attention to matching. It doesn't mean that each part is the strongest, and the final combination can get the strongest whole.
Shi Ba nodded again and deeply agreed. Not long ago, he also watched a sports meeting. In one of the basketball games, one team was the "Okward-A" all-Star dream team that was used to playing blue balls, and the other team was just an ordinary national team. However, as a result of the game, the All-Star Dream Team lost to the other team. The reason is that these stars are not used to their cooperation with each other.
So Shiba suddenly thought that if the refinery is compared to a blue ball game or football match that pays attention to cooperation, then the refinery is a table tennis or badminton match (singles) that pays attention to personal strength.
Sure enough, it doesn't have much comparison.
And Huang Chengyan's statement about refining and refining tools makes Shi Ba can't help but think of the origin of refining gas and refining (external and internal) elixir mentioned by Wang Ling.
The two can confirm each other.
During the period of reverie, Huang Fei and the two talked back to the topic of refining fans.
Shi Ba listened for a while, and suddenly found that the system reminded him that because he heard the master's argument, he had a little understanding and understood the skill of refining the fan. At the same time, the art of refining stone and refining gourd has also been greatly improved.
Suddenly, Shi Ba was very happy.
In fact, he has just paid attention to observing his own attribute state, especially experience and Taoism. Since Huang Fei and the two of them started talking, these two items are in the process of high-speed growth. This kind of opportunity to improve the experience of Taoism at a high speed, even if Shi Ba and Huang Fei get along with each other day and night, it is also a rare opportunity.
Therefore, knowing that a day on the other side is a year, Shi Ba is still patient and listens to the discussion of the two from beginning to end.
Then leave the scene as soon as possible. Back to the flood.
I don't even have time to do the tasks in the Eastern Han Dynasty.
Shi Ba is really too excited and rippling. What is the daily task of the Eastern Han Dynasty?
Huang Chengyan has reminded him. Although that is not the point of his words, the point is that the speaker is unintentional and the listener is intentional.
What did Huang Chengyan say?
"The world of famine, natural resources and treasures, are at your fingertips!"
When Huang Chengyan said this, he naturally had to be envious, just like when the people were watching TV, they could only look at the happiness in the news and sigh.
It is out of reach.
However, the time is different. It's very different.
It's not just a legend. He has already experienced the high taste of the true spirit in the Honghuang. His skill of refining gas, the progress in the time and space of the flood, can be called the speed. Even when he passed on the alchemy, because the environment was too good, the learners realized that they had achieved success.
So what about the "treasure of heaven and earth" that is "available at your fingertips" in the flood and famine?
Shi Ba can't wait to get it quickly with the advantage of the first move. Anyway, get it first.
......
PS:
The legend about the finishing touch:
Tang, Zhang Yanyuan's "Record of Famous Paintings of All Dynasties": "Zhang Sengyu in Anle Temple in Jinling, painted four dragons on the wall, without finishing touches. Every time he said, "Just click and fly away." People think it's a birthday, because it's one of them. In a moment, the thunder and lightning broke through the wall, a dragon rides on the clouds to the sky, and those who have no eye contact are all there.
Translation: Zhang Sengyu painted four dragons (also known as murals) on the wall of Anle Temple in Jinling, but none of the four dragons painted their eyes. ( When people often ask him, he often says, "You can't order it. If you click the dragon, it will fly." Others laughed at him and brag. Old Zhang had no choice but to order one of the dragons.
Not long after, thunder and lightning, the eye-catching dragon broke through the wall and rode the clouds to the sky.
The remaining ones that are not eye-catching are still on the wall of Anle Temple.