Yellow Crane Tower
The Yellow Crane Tower, an ancient building famous all over the country, was built on the Yellow Crane Rock by the Wuchang River. It is a poetry resort for ancient literati and poets. Looking up the building, you can see the distant mountains and near water. Cui Hao, a poet of the Tang Dynasty, wrote: "In the past, people have taken the yellow crane, and there is no yellow crane tower left here. The yellow crane is gone and will not return, and the white clouds have been empty for thousands of years. It is known as the head of the seven laws of the Tang Dynasty. Li Bai was also ashamed of himself when he came here, so he had to say, "There is no scene in front of him. Cui Hao's poem is on the top." The Yellow Crane Tower was burned down in 1884. It has been rebuilt.
Several couplets here are good works about the Yellow Crane Tower.
The spirit of Sanchu is gathered on the first floor, and the clouds and cranes are empty;
Ershuihui Baichuan Branch, there are endless rivers in ancient and modern times.
The coolness comes from the west, and the clouds sweep away the hatred of heaven and earth;
The big river goes to the east, and the waves wash away the sorrows of the past and the present.
The yellow crane flies away and flies away;
White clouds can be left or not.
The tower stands in the sky;
The whole Chushan River shrinks to the ground.
The original crane was there before the building started;
There is no poem after the pen is put on hold.
When will the yellow crane come back, and take the golden bottle to see the thousand-year-old grass of Zhouzhu;
Today, the white clouds are still there. Ask who plays the jade flute and the May plum blossom in Luojiang City!
The heart is far away from the world. Put the wine on the column and listen to the jade flute and plum blossoms. Is it falling at this time?
I resigned from Jianghan, pushed the window to send an overview, and asked the immortal yellow crane, when will he come back?
Poets of all dynasties omining the Yellow Crane Tower
Yellow Crane Tower
Cui Hao
In the past, people have taken the Yellow Crane to go, and the Yellow Crane Tower is empty here.
Once the yellow crane is gone, it will not return, and the white clouds will be empty for thousands of years.
Qingchuan calendar Hanyang tree, fragrant grass and parrot island.
Where is the twilight pass? The Yanbo River makes people sad.
The Yellow Crane Tower sends the Guangling of Yu Haoran
Li Bai
The old man resigned from the Yellow Crane Tower in the west, and the fireworks were shot down in March.
The lonely sail is far away from the sky, and only the Yangtze River flows in the sky.
Listen to the flute on the Yellow Crane Tower with Shi Langzhong
Li Bai
First, I moved to Changsha, and I didn't see my home in Chang'an in the west.
The jade flute is played in the Yellow Crane Tower, and the plum blossoms fall in Jiangcheng in May.
Wanghuanghe Tower
Li Bai
Looking east at Huanghe Mountain, Xiongxiong is half empty.
There are white clouds on all sides, and the middle peak is leaning on the red sun.
The rock line crosses the dome, and the peaks are also dense.
I have heard about immortals, and I learned how to fly here.
Once facing Penghai, thousands of years of empty stone room.
The golden stove is smoky, and the jade pool is secret and pure.
Ancient vegetation, old Zhishu in the court.
□ Yuxian climbs, because he wants to be idle. [ □where: change hands and feet]
The wonders are all over the mountains, and the mountains are unmatched.
The heart is sent to the green pine, and the guest is always in love.
After getting drunk, he answered Ding 18 with a poem to break the Yellow Crane Tower
Li Bai
The high-rise building of the Yellow Crane has been smashed, and the Yellow Crane Fairy has nothing to rely on.
The yellow crane went to heaven to sue the Jade Emperor, but let the yellow crane return to the south of the Yangtze River.
The god Taishou is carved again, and the new pink wall is still fragrant.
A state laughs at me as a madman, and teenagers often come and laugh at each other.
Whose son is under the Junping curtain? Yun is Ding Lingwei from Liaodong.
The poetry is amazing, and the white clouds fly around the pen window.
Waking up in the Ming Dynasty, I will look for the spring with you.
Jiangxia sends friends
Li Bai
Snow spots and green clouds, send you the Yellow Crane Tower.
Yellow Crane Zhenyu Yuyu, flying to the emperor's state in the west.
Feng Wulang□shi, how can it be given as a long trip. [ □ Office: Wang Gan]
Wandering around and looking at each other, tears flowed down the Han River.
Yellow Crane Tower
Cui Hao
In the past, people have taken the Yellow Crane to go, and the Yellow Crane Tower is empty here.
Once the yellow crane is gone, it will not return, and the white clouds will be empty for thousands of years.
Qingchuan calendar marsh sun tree, fragrant grass and parrot island.
Where is the twilight pass? The Yanbo River makes people sad.
Yuanren Xin Wenfang's "Biography of Tang Caizi" recorded that Li Baideng and Huang Helou originally wanted to write a poem. Because he saw Cui Hao's work, he restrained his hand and said, "There is a scene in front of him, and Cui Hao wrote a poem on the top." Legend may be attached to future generations, but it may not be true. However, Li Bai did write poems twice to formulate the style of this poem. The first four sentences of his poem "Ponion Island" say: "The parrot passes through the Wu River in the east, and the name of the parrot is passed down on the river. The parrot flew west to Long Mountain, and the tree of Fangzhou was green." It's the same as Cui Shi. There is also a poem "Deng Jinling Phoenix Station" that is also obviously a copy of this poem. For this reason, the poets have a good reputation, such as Yan Yu's Canglang Poetry: "Tang people's seven-character rhythm poetry should take Cui Hao's Yellow Crane Tower as the first." As a result, Cui Hao's "Yellow Crane Tower" became more famous.
The Yellow Crane Tower is named after the Yellow Crane Mountain (also known as Snake Mountain) in Wuchang. It is said that the ancient fairy son An took the yellow crane to pass here (see "Qi He Zhi"); and Yun Fei Wenwei ascended the immortal crane here (see "Taiping Huan Yu Ji" citation "Picture Sutra"). The poem is based on the origin of the name of the building, borrows the legend to write, and then starts. The immortals cross the crane, which is nothing, but now has nothing to do. If it is said that it "gone will never return", there will be a regret that the years will no longer be seen by the ancients. When the immortals go to the sky, only the white clouds in the sky are long for thousands of years, which can express the vastness of the world. The poet wrote about the common feelings of the people of Shihe Tower in that era. They are reckless and sincere.
The first half of this poem is changed with a loose tone, and the injury will be corrected at the beginning of the year after next. In fact, what I saw and felt in the building, I wrote about the grass and green trees looking at Hanyang City and Parrot Island from upstairs and the nostalgia caused by it. This is put first and then collected.
The predecessors have said that "the text is based on qi". The first four sentences of this poem seem to be said casually. They rotate and go down with the situation. There is no hindrance at all. Yellow Crane and Er Yu appear again and again, but because of their momentum, they make the reader "wake the sine and see Feihong" and read it in a hurry. There is no time to notice its overlap, and this It is a taboo in the rhythm of poetry. The poet seems to have forgotten that he is writing "there is a floating sound in front, and it must be cut after" and Yuyu has a fixed sound.
Try: The five and six words of the first couplet are the same as "Yellow Crane"; the third sentence is almost all annoy; the fourth sentence is also used as "Kong Youyou" to read the end; regardless of any confrontation, it is all the syntax of ancient poetry. Is this because the Seven Laws had not been finalized at that time? No, there is a standardized seven-law drought, and Cui Hao has also written it himself. Is the poet deliberately writing the law? Not necessarily. He was also different from Du Fu's later intention to create his own tone. It seems that you still know it and ignore it. As Lin Daiyu said when teaching people to write poems in A Dream of Red Mansions, "If there is a strange sentence, even the truth will be wrong." Here, Cui Po practiced the poem according to the principle of establishing meaning and not using words to harm the meaning, so he wrote such a rare high-singing poem in the seven laws.
Shen Deqian commented on this poem, thinking that "the meaning is first, outside the divine language, the writing is written in length, so he is good at the wonders of the ages" (Volume 13 of Tang Poems), which is what it means. If you don't accept it, don't go unconventional, and don't return to the rhythm, then it is not a seven-law, but becomes the seven ancients. This poem seems to be in two parts. In fact, the literary trend has been focused from the beginning to the end, and it is just a change of breath in the middle. This seemingly intermittent connection is also the most disciplined from the perspective of the beginning, inheritance, rotation and combination of rhythmic poetry.
Yuan Yang Zai's "Poetry Number" On the second couplet of the first couplet said, "This couplet should be connected to break the topic (the first couplet), just like riding the pearl of the dragon, holding but not taking it off." This poem is exactly like this. According to the legend of the fairy riding the crane, the forehead couplet and the broken topic are connected with each other, which is completely integrated. Yang Zai also talked about the "turn" of the neck couplet and said, "Avoid the meaning of the front couplet and change, such as thunder breaking the mountain, and the viewer was stunned." The metaphor of thunder is intended to explain that there should be mutations in five or six sentences, which is unexpected. At the turning point of this poem, the style is changed from the right, and the realm is completely different from the front, which just meets the requirements of the law. In the past, whether the big yellow crane has gone or not, it gives people a feeling of incomprehability; suddenly it turns into an eye-catching grass and tree, which is vivid in the sight of the scene in front of his wife and wife Manchuria. This contrast can not only dye the sadness of those who climb the building and look into the distance, but also make the woman have ups and downs.
"Chu Ci · Recruitment of Hermits" said: "Wang Sun You will not return, and the spring grass will be separated." The phrase "Fangcao" in the poem also teases the meaning of where to go at the end. The last couplet is concluded by writing about the feeling of returning home at night on the Yanbo River, so that poetry can return to the invisible state at the beginning. In this way, it can respond to the front, such as the "Taiwan" that can wrap around the forehead of the leopard's tail, which is also very in line with the law of poetry.
It is precisely because of the magic and great success of this poem that it is praised as the unique song of the Yellow Crane Tower, which is understandable.